In Hiroshima, the past is never entirely past. A filmmaker returns to the city to document survivors of the atomic bomb and is unexpectedly drawn into a luminous, mysterious journey with a young woman he has just met. Summer Lights, directed by Jean-Gabriel Periot, weaves memory, history, and quiet romance into a drama about how a place carries its wounds. Sometimes the living and the remembered walk side by side.

Why This Film Matters: As the last survivors of Hiroshima pass on, the question of how we carry unbearable history into the future grows urgent. Summer Lights approaches that weight not through spectacle but through intimacy, listening to testimony and letting beauty and grief coexist. In a world uneasy about nuclear threat once again, this gentle, haunted film insists that remembering is an act of love — and of warning.